Here in the states we recently celebrated Thanksgiving. What was I thankful for this year? A couple of quiet days off to catch up on music! We actually had so many musicians contact us in the last couple of weeks that we’ve had to delay their inclusion in our monthly roundup until December’s issue. Grab a set of headphones, pour your warm beverage of choice, and get comfortable. Here we go…

Marcus Singletary – Live on Sunset

November 5th marked the release of LA-based musician Marcus Singletary’s latest album, Live on Sunset. The 7-track set was recorded at LA’s Whisky a Go-Go, a club that’s hosted some classic rock legends going back decades. Singletary’s classic rock and blues stylings are in full force in the live version of Mercury Blues below.

The Foreign Films - Fall of the Summer Heart

By far the longest single we’ve featured on The Indie Mine, Fall of the Summer Heart by The Foreign Films is an eight-part cycle. Filled with strong 60s pop influences, this epic track  took a full year to record and will be part of TFF’s next album, The Record Collector, due out in April of 2014.

Skytown Riot – Soul or System

Earning comparisons to Muse and Coldplay, Knoxville, TN-based Skytown Riot continued to make news this past month. The alt-rock band released their anthemic album Soul or System in mid-November. The album was the culmination of a long process which included rounding out the final lineup of band members back in 2012. The track  “Runaway Princess” has been gaining some notoriety amongst the gaming community for use in fan-made videos, and you can have a listen below.

The Almighty Rhombus – Lucid Living

The Almighty Rhombus makes a return appearance in our music roundup feature having previously caught our attention twice before. This time around the band has released a new album, Lucid Living. Whereas their previous album held a pretty consistent pop sound, this setlist is all over the place with tracks ranging from garage band to psychedelic. When it comes to the band’s sound, I honestly can’t decide if I prefer the high-energy style of songs like “Down South” or the more mellow surf band-ish “Blank”. Check out the album and decide for yourself.

Echotape – “Pushing Your Faith/The Weak”

Formed in the south of the UK in 2010, Echotape is working hard to build on the success of their debut EP, Sky Above Quarley Hill. That brings us to “Pushing Your Faith/The Weak”, the latest AA single from their Hexolagy series.  Check out the alt-rock single below, and keep an eye out for their next release,  “Last King of England”, due out in mid-December.

Forgotten Fix - Disconnect

Forgotten Fix is a very new band, having just formed in Summer 2013. What they may lack in experience, they certainly make up for in drive and efficiency. The synth rock band from Montréal managed to put together a five-track album, Disconnect, in just five days. I’ve included the single “The Problem With Unity” because it has some of the most fun synth work out of the setlist.

Kettū – “Oxytocin”

Otso “Ozoh”  Haavisto is another returning member to our music roundup feature, but this time he’s working under the project name Kettū. His first release under this new project is the glo-fi/chillwave single “Oxytocin”. I really dug his previous work back in April, and that hasn’t changed with this new track. It has that same laid-back, ambient style that I think would fit perfectly on a puzzle game soundtrack.

Ummagma – “Rotation/Live and Let Die”

It’s the month of return guests! Ummagma has been featured on the site a handful of times, and the Ukrainian-Canadian duo is back with a new single containing two tracks, “Rotation” and “Live and Let Die”. Their addictively hypnotic “dreamgaze” sound combines elements of a few different genres including electronic, synth pop, and rock. The single isn’t actually released yet (due out Dec. 9th), but you can have a listen to “Rotation” early.

Clockwork Noise – Whethermachines

While Clockwork Noise released their debut album Whethermachines back in May, it was still a work-in-progress. November saw that project reach its culmination with the release of the final track “The Tourists”. The band likes to experiment with the juxtaposition of opposites, and that’s never more apparent than with the infusion of string instrumentation into the modern, alt-rock “A Wake Up Serenade”.

JproD – “A Million Feelings”

JproD is a rap/hip-hop artist from the New England area.  As with many indie artists, JproD bases his music off of his lifestyle and life experiences while also taking inspiration from different cultures and musical genres. His latest project is entitled “Regal” and he recently released two singles from that project: “Trill Shit, I Really Mean That” and “A Million Feelings”. We’ve included the latter of the two. WARNING: NSFW.

Fronz Arp - deepseabigcitysmallroom

Fronz made our music roundup early in 2013 with the release of his album Fronz Arp is a Tiny Crooked Orchestra. The Australian artist is back with a brand new album, deepseabigycitysmallroom. The 7-track EP captures the essence of his time living in New York aided by the fact that was it was written in, recorded in, and even performed using bits of furniture in an East Harlem apartment. While a little less poppy than his previous release, the new album is still Bowie-esque with a pleasant, folk singer-songwriter style.

Street Cleaner - Street Cleaner

Described as the soundtrack for an 1980s movie that never was, Street Cleaner’s self-titled album tells the story of detective/vigilante Jack Slade trying to clean up the seedy underbelly of San Diego. The 13 tracks exude the guitar riffs and synth sounds that the 80s were known for and fit in perfectly with the action movie and video game soundtracks of that era. While video game composer Jesse Bishop was responsible for writing each of the songs, a number of other musicians also contributed to the album.

Charles Bordeaux – Fables

Fables is the latest EP from NY-based singer/songwriter Charles Bordeaux. Just in time for the Thanksgiving holiday, this three-track narrative tells a story of gratitude through a farmer and the personification of Time. The album is a mix of electronic, dream pop, shoegaze and other similar genres, and it has a mild psychedelic edge to it. The first track, “Sandman”, has been included for your listening pleasure.

Womb – “Baby Don’t Love Me”

Garage jazz/blues is probably the most apt description for the musical stylings of Womb. While the band was busy touring this summer, they still found the time to put together a debut music video for the single “Baby Don’t Love Me”. The video is of the humorous variety and features the band getting the living hell beat out of them by a spiteful girlfriend.

James Keyes - The Middle

James Keyes is another musician from the New England area, specifically Connecticut. November 23rd marked the release of his third album, the first since mid-2011.  The Middle is a 12-track mélange of blues, rock, folk, and country, and the unifying element is the Waits-esque vocal talent of Keyes himself. At its core it’s a bit of Americana. My favorite track is “The Traveler” which I’ve included because it’s fun and I enjoyed the instrumentation, particularly the bass.

Illitry – “Kingdom Perverted”

As with a number of the other bands, Illitry has previously been featured in our monthly music roundups. The two-piece band from Hamilton, ON is back this month with a new single, “Kingdom Perverted”. The track – with its mix of electronica and organic sounds – is from their debut album which is set to come out early next year.

Invasions – “Rosy”

We actually brought you coverage of “Rosy” in last month’s music roundup. Invasions’ surf rock style is back in a brand new music video for the single. The video features a 60s pool party theme and 8mm recordings.

Unconditional Arms - Kinship

All music serves as a creative outlet, but not all of it tells a story. Kinship by Unconditional Arms was written by musician Jeffrey Wright as a celebration of the birth of his son. It’s a 6-track, fully instrumental album that explores the emotions Wright uncovered during this momentous period of his life. We’ve included the first track, “The Family Tree”, below.

Mindy Gledhill - Pocketful of Poetry

With a successful Pledge Music Campaign, trips from LA to Morocco to Japan, and appearing on a Grammy-nominated album, it’s safe to say that things are going well for musician Mindy Gledhill. September saw the release of her latest album, Pocketful of Poetry. While the songs vary in tone, for the most part the album is a plucky mix of pop and folk.

CalatrilloZ – “Lords of Misery”

While some musical acts are considered performances, the London-based quintet CalatrilloZ takes it up a few levels. They manage to blend metal and prog rock with a flair for opera including costumes, acting, and some serious stage design. The band recently made news by releasing their single “Lords of Misery” which you can listen to below.

Claudio Cataldi – Homing Season

Every month it seems like we’re being introduced to a new subgenre of music, and in November we have Claudio Cataldi to thank for bringing us acid-folk. Cataldi’s musical stylings also incorporate shoegaze, and both can be found within his new album Homing Season. Although the album came out in September, even in November it still manages to capture a bit of the feel of the autumnal season.

Fitness Club Fiasco – “Goldmine” (Jon Lawless remix)

I don’t love all of the music that hits our inbox, but every month there are usually a couple of albums or singles that I put on repeat while working on this website long after putting together this roundup feature. Back in June I included Fitness Club Fiasco’s “Goldmine”, a catchy single that won me over and I still listen to frequently. Jon Lawless of First Rate People took his own stab at the song this month, and you can hear the remix results below.

Ben McKenzie - Stand Down Son

While still performing live with His Broken Bones,  Stand Down Son marks the first solo EP release by Toronto singer-songwriter Ben McKenzie. The six-track setlist is a bit of Springsteen and Petty as it takes a longing, bittersweet look at the past, present, and future.

Shintaro Haioka - Harumi

Electronica musician Shintaro Haioka has followed up his earlier 2013 EP Blowin’ in the Wind with another EP, Harumi. Once again, Haioka draws upon his Japanese background with this six-track set. The artist combines traditional Japanese instrumentation like the koto zither and hyshigi percussion with modern effects and sound processing.

20 Days In - Propagation

Late October saw the release of the third EP from Philly-based 20 Days In. The five-piece band unveiled Propagation, a deviation from the group’s usual hardcore sound. The three tracks included in this EP steer more towards the alternative and progressive sides of rock, but they still retain the aggressive tone the band has become known for.

Mark Martyre - London

We started doing these monthly roundups back in February, and musician Mark Martyre was one of the 11 musical acts that we included in that inaugural edition. London is the latest album to be released by Martyre, following up on the success of last year’s Down, Record. As with Martyre’s previous efforts, London‘s ten tracks showcase his talents as a songwriter and Waits-like vocal style.

 
I would be shocked, absolutely shocked if there’s a reader that didn’t find something they enjoyed in the list above. We really ran the gamut of genres and subgenres this month. There was so much music, in fact, that we’re planning on shaking up the format for these monthly roundups starting with January’s edition (December’s will likely remain the same). Show your support for these wonderful bands by listening to, downloading, and purchasing their music. And don’t forget to leave a comment for us about who you liked.

© 2013, The Indie Mine. All rights reserved.

Castles in the Sky took me by surprise, not because of stunning graphics, hardcore gameplay or amazing physics. No, what took me by surprise was innocence, a sense of whimsy I’d long since forgotten after becoming a ‘proper grown-up’.

Produced by a small indie team of two, Castles in the Sky comes across as a delightful blend of simplistic platforming and heartfelt narrative, presented as a spread of colourful pixel-based art. The game is equal parts story book and platforming, where the goal is to scale upwards towards the sky, bouncing from cloud to cloud as a rhyming narrative unfolds.

Because of the nature of the game, it would be difficult to reveal much else about its features without spoiling the overall experience, so I caught up with Dan Pearce (@gamedesigndan) and Jack de Quidt (@notquitereal) to ask them a few questions regarding Castles in the Sky, and what the future holds for The Tall Trees.

The Indie Mine: What made you choose to do this ‘interactive picture-book’ gameplay?

Dan: I started the project on my own one night. We’d started a few projects (which are still going) that were going to be in production for a while longer, and I felt like playing something like Castles. I was struggling to find anything, so I decided to toy around with a small prototype. This resulted in me staying up until 6AM making this little thing with a kid jumping in clouds, the art for which is what you see in the game. I became pretty attached to it and pitched it to Jack the following day as an introductory piece to showcase what The Tall Trees is.

Jack: Dan pitched it to me as similar in terms of gameplay to Doodle Jump, and while those games are great, I always felt they were lacking something normatively. Ha! I mean, story isn’t really what they’re for, but that sort of gameplay where you’re inexorably moving upwards could lend itself really nicely to discovery and narrative.

I’m not entirely sure where the decision to make it rhyme came from, but as soon as that appeared, it was pretty much set as a picture-book. There was something so playfully naive about writing in that style, and I don’t think another story would have worked. From then on, I tried as best I could to emulate the style and feel of the picture books I had read to me as a kid. I didn’t want to push the story anywhere too radical – just keep it gentle and playful. And as is the way of all these stories, they end with the kid going to bed. So that’s where we had to go.

The Indie Mine: So the style is very innocent and childlike, like you said to emulate those old memories of a children’s bedtime story. Would you say this was aimed at a younger audience? I can see this being very popular as a shared activity between young kids and their parents.

Jack: I think from my perspective I’m always taken with the stance that Pixar take, which is “we just make films. Hopefully, both adults and kids will like it”. It’s true that there aren’t really enough games for parents and children to play together, but I wouldn’t say it was designed in mind for a single demographic. That said, introducing younger generations to indie games in a way in which their parents are an active part of the game is a really admirable goal, and if we can do that even a bit, I’ll be happy.

Dan: Yeah, I had someone ask me this earlier actually and I think the answer I gave was something like “it’s not for kids, so much as adults who wish they were kids”.

The Indie Mine: Since you chose to publish this as your first game under The Tall Trees brand, do you see yourself making more of this style of interactive story book gameplay in the future? Is there a particular style of game you’d really like to explore?

Dan: I think it’s definitely something we’re thinking about when looking at future projects. As I said, we started a couple of our projects before Castles, and those are definitely in a similar vein. I’m not amazing with words (which is why Jack’s so good to work with), so I’d have trouble defining what The Tall Trees is all about. Jack and I have agreed that Castles is a very “Tall Treesy” game, though, so hopefully the game says what that means better than I can.

Jack: We’d like to make games about discovering beautiful things frequently and surprisingly. I don’t know if we’re likely to make more rhyming, jumping games, but the sensibility at the heart of Castles (“you’re going on a journey, here are some lovely things”) is one that I think is central to our designs.

Dan: I think that’s our core really. The main thing that will change around that will be the control schemes and tones of each game.

It’s important to note that Castles in the Sky isn’t your typical game experience. The game will take approximately 10-15 minutes to finish, and in many ways it is more story than platformer, which is reflected in the games very affordable $1.50 price tag. Those wanting to pre-order the game can do so at the official site here. Pre-ordering will net you the game (on PC & Mac), soundtrack and wallpapers when the game launches on the 18th of this month.

© 2013, The Indie Mine. All rights reserved.

This got us thinking – what are the best indie movie soundtracks of all time? It’s probably impossible to make a perfect list; after all, there are hundreds of indie films (more than anyone could watch in a lifetime) but in our long history of film reviewing, here are a few soundtracks that stick out in our memories.

Garden State

Perhaps the most stereotypically indie of all indie films, 2004′s Garden State includes a soundtrack hand-picked by director and lead actor Zach Braff. It sets the tone for indie films to follow by combining up-and-coming bands such as The Shins with classic acts like Simon and Garfunkel. Braff also defined the indie soundtrack ethos when he described his soundtrack as an old school mix CD.

Super Size Me

Morgan Spurlock’s 2004 documentary, in which he famously eats nothing but McDonald’s food for 30 days, opens with a group of schoolchildren singing the classic camp song “Kentucky Fried Chicken and a Pizza Hut.” He salts and peppers his film with instantly recognizable pop culture favorites such as “Fat Bottomed Girls,” “Yummy Yummy Yummy,” and “Pusher Man.” Even if you only listened to the soundtrack and skipped the movie, you’d still know exactly what Morgan Spurlock thinks about the fast food giant.

Juno

2008 indie favorite Juno shared the irresistible joy of band The Moldy Peaches with the world. Director Jason Reitman chose the Kimya Dawson/Adam Green guitar-folk duo after asking star Ellen Page what she thought the titular character would listen to.

Juno’s soundtrack helped revive nerd-folk guitar as a legitimate music genre, and the final scene of lovebirds Ellen Page and Michael Cera jamming out on their front porch inspired hundreds of teenagers to sign up for online guitar lessons. It’s no coincidence that now famous acts like Julia Nunes and Danielle Ate the Sandwich all came of age when Juno aired.

High Fidelity

A movie about music is bound to include an amazing roster of bands and musicians on its soundtrack, and High Fidelity delivers. The track is jammed full of the greatest acts in music history, including Elton John, Aretha Franklin, the Velvet Underground, Queen, and Elvis Costello. High Fidelity‘s soundtrack works both as an emotional commentary as well as one of character Rob Gordon’s famous “best of” lists. One only regrets that High Fidelity was released in 2000; who knows what might have made it on the soundtrack had it been remade today.

Moonrise Kingdom

Any of Wes Anderson’s films could make it onto a best soundtrack list, but 2012′s Moonrise Kingdom stands out as my personal favorite. As a child raised on classical music, including a stint in the movie’s featured opera Noye’s Fludde (I played a monkey), I appreciated the subtle use of classical music as a way into the two young characters’ thoughts and emotions. Before children are old enough to develop musical tastes of their own, they are dependent on the musical tastes provided by their parents, and I, too spent a childhood with Mozart and Britten as earworms. It was an excellent choice that would have been sullied had Anderson elected to use pop music of the era instead.

So, what did we get right and what did we miss? Which films go on your best indie soundtrack list, and which music artists did you discover through independent film?

© 2013, The Indie Mine. All rights reserved.

Perhaps it was a much needed respite, but after two months of music coming at us at a blistering pace, August finally slowed down a bit. However it did bring us a lot more albums rather than singles, so there was still a lot of great music to listen to. We had two game soundtracks make the list this month, as well as a number of interesting concept bands and experimental albums. I’m not sure why I’m consistently surprised to come across something new, but it happens just about every month. Read on, have a listen, and enjoy!

Alex Riggen – Milk

Alex Riggen has been a member of a number of bands, counting Far From Words and Murnau among his ventures. He’s now gone solo and has released an album all his own. Milk is the second album from the Iowa-based musician, following last year’s debut Rabbit. This 8-song pop/alternative set starts off with the slow, organ-laden “Crown” and maintains a minimalist sound throughout in both the vocals and the instrumentation. The album is available now on Bandcamp.

Chris Christodoulou – Risk Of Rain OST

Chris Christodoulou is the composer behind the atmospheric soundtrack of upcoming space platformer Risk of Rain. Staff music writer Jennifer described the OST as “…not just an ordinary chiptune album – Christodoulou’s musical background adds a level of refinement that accentuates the feel of the game.” The game is currently in beta, but you can have a listen to the soundtrack below.

Digital Noise Academy - Synemy

The story behind Synemy is fascinating. The new album from 6-member Digital Noise Academy (aka DNA) was created through a process which is essentially the classic “Telephone Game”. Each song would be created by passing it around from one member to another, each adding something to the track. The band includes a mix of music producers, solo artists, and group musicians each bringing some of their personal flavor. Because the tracks are so different, it’s impossible to pin down a specific genre to classify the album under though alternative is fairly prevalent. You’ll just have to have a listen for yourself.

Summerays - Summer Daze

August has come and gone, but Summer’s not quite over yet. Summerays, a surf pop band from Cleveland, captures a bit of the Summer spirit in their 10-song EP Summer Daze. The album was actually released back in January, but was recently brought to our attention. I’m glad we were introduced to it, because it provides the perfect sound for the season. A second album, Daydream, was released back in late 2011 and contains that surf pop style though with a more subdued feel.

Post War Stories - Cold Wars

Post War Stories brings a couple of firsts to our music coverage at The Indie Mine. First, they’re from the Isle of Man which explains why their music contains themes of isolation. Second, their style falls under trip hop with a bit of prog rock mixed in. This all comes together in their debut EP Cold Wars. The 4-track compilation releases in September, but you can have a listen now.

Rich Douglas – Shadowgate OST

Shadowgate is one of those games where you’re flooded with memories or you are simply too young to remember it. The 25th anniversary of the original is upon us (1987 on Mac and 1989 on NES) and developer Zojoi is remaking the game for a modern generation. Rich Douglas is the composer behind the epic soundtrack which comes in at a whopping 25 tracks. That total also includes a number of bonus tracks not found within the game. The songs themselves have everything you want from a fantasy-based soundtrack with some wonderful orchestral and especially choral work. We’ve included the Shadowgate theme song below for your listening pleasure.

Stickman Cartel – “Accolade”

“Accolade” is the debut track from London-based band Stickman Cartel. When our music writer, Jennifer, recently reviewed the single, she called the style “indie disco” and described the song as “…fun, catchy, and it’s meant to get your feet moving.” That energy carries through to their live performances, but for those not living in the UK, the song officially releases on September 2nd.

Northern Hustle – Forgether

Northern Hustle is another band with an interesting premise behind their music. Forgether is the first of three albums which will contain one story. The Arizona-based concept band has an acoustic/folk rock sound, and their ten-track album has some great instrumentation including some interesting percussion choices along with a slide guitar. Although only a handful of their songs are available at the time of this writing , the uptempo beat on “Tangled” is contagious and I can’t wait to hear more when the album lands on September 6th.

Welch & Penn – Early Bird Gangsters

Welch & Penn are an interesting duo. Freddie Wilson (aka Fountain Penn) is a singer-songwriter and Donnie Welch is a performance poet. The two started the Welch & Penn project back in 2012 and are recorded their EP Early Bird Gangsters earlier this month. It’s easy to hear where each member’s influence came into play as each of the three tracks includes Welch’s intense poetry interspersed within – and sometimes overlaid on – Penn’s equally emotional vocal work. With such a heavy weight placed upon the lyrics, each of the songs needs a few listens to fully appreciate the message. Have a listen.

Tomas Sen – Try Solitude

Jeff Thomassen is a bit of a do-everything kind of artist. He’s the writer, composer, arranger, recorder, and producer behind Tomas Sen. He’s put all of that effort to use in creating his debut album Try Solitude. Like many of the other entries this month, this is an experimental album. Try Solitude is a compilation of ten tracks that range from folk to electronica to surf. A backdrop of bird song and whistling in a few of the early tracks helps perpetuate an easygoing acoustic feel. The middle of the album has more of an ambient electronica sound. As advertised, the album really is all over the place in terms of style, but it’s all tied together by the idea that these are all thoughts that pass through our minds when we’re alone.

Well that does it for August. A few of these albums come out in early September, so make sure you keep an eye on them if you enjoy them. As always, let us know if you had a favorite artist out of the bunch, or if there’s a band we’ve missed that you think highly of. Until next time…

© 2013, The Indie Mine. All rights reserved.